

Looking for the latest D-SLR from CANON, Check out the latest model EOS 500D @ Gurney Plaza mainconcourse on 8th to 10th May 2009 ( Friday to Sunday)

EOS 500d with EFS 18-55 IS Kit Lens

EOS 500D back view

EOS 500D Top View
KEY Differences between 450D as highlighted below:-
* 15 MP CMOS sensor – similar, but not the same as the 50D (slower readout for one thing)
* HD Video * 1920 x 1080 ( 1080P, 16:9 ) @ 20fps * 1280 x 720 (720P, 16:9) @ 30 fps * 640 x 480 (4:3) @ 30 fps * Quicktime MOV format (H.264 video,linear PCM audio) * Up to 29 min 59 sec (or max file size 4 GB)
* Anti reflection coated display ( 3 inches – 640×480 design with 920,000 dots LCD Display )
* Digic IV – menu layout similar to 50D/5D Mark 2
* Auto lighting optimiser - now adjustable
* Quick control setting mode
* ISO to 12800
* Variable high ISO noise setting adjustment
* Face detect in Liveview
* Peripheral Illumination Correction – brighten the corners of images to correct for lens vignetting
* Sensors under viewfinder to blank screen when the camera is raised to the eye.
* SD/SDHC Card
For more information, please log unto: www.dpreview.com or www.canon.com.my or www.letsgodigital.org or www.imaging-resources.com
Kudos to CANON again for raising the bar by outfitting the EOS 5D Mark II with Full High Definition (HD) movie recording and playback functionality — a first for a DSLR camera*1.
The smooth 30fps frame rate assures natural-looking movies in both Full HD at 1,920 x 1080 pixels and 4:3 Standard Definition (SD) at 640 x 480 pixels.
Should a photo opportunity arise while shooting a movie, simply press the shutter button to capture the moment as a still with exactly the same image quality that is set for normal shooting. A built-in microphone records in monaural while stereo recording is possible via the external microphone input terminal. When it’s time for playback, view your movies on the bright 3-inch LCD monitor or connect the camera directly to an HDTV, standard TV, or computer monitor — the HDMI and A/V OUT interfaces make setup a snap.
SEE TO BELIEVE ! CHECK OUT an independently-produced video by Explorer of Light VINCENT LAFORET
EF Lenses used in the making of REVERIE:
FD 7.5mm f/5.6 (converted to EF mount)
EF 16-35mm f/2.8L II USM
EF 24-70mm f/2.8L USM
EF 50mm f/1.2L USM
EF 85mm f/1.2L II USM
EF 135mm f/2L USM
EF 200mm f/1.8L USM
EF 400mm f/2.8L IS USM
EF 500mm f/4L IS USM
TS-E 24mm f/3.5L
TS-E 45mm f/2.8
SEE to BELIEVE : RIVERIE Video & The Making of RIVERIE video .
Incredible! I could never believe an DSLR could provide video of that quality ! Can’t wait to get my hands on one of these to play with…